During the time of the Soeharto regime tourism flourished in Indonesia and especially in places like Bali and Yogyakarta. Western tourists virtually flocked to Yogyakarta to experience the Javanese culture, visit the archaeological icons in or near the city and, this was mainly due to Yogyakarta’s reputation of being the cultural heart of Indonesia and the Yogyanese being the friendliest in the archipelago. These two factors still remain the same today and gradually western tourists are returning to Yogyakarta albeit slowly after a hiatus in tourism due to many internal factors in the country. In general, western tourists, and to a certain extent domestic tourists, stay in Yogyakarta for a period of three days. Of course in my opinion this is very little time to experience all that Yogyakarta has to offer, but, as long as the tourists see the main sights they seem to be satisfied with their visit.
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A lot of my friends have remarked upon visiting Jakarta that it is a polluted and a heinous traffic nightmare. Although there remarks are warranted, nonetheless, Jakarta is a fascinating city to visit and more especially if your interests are in museums and the colonial days of Jakarta under the Dutch occupation. Thankfully, the Indonesian Heritage Society has helped, and in an extremely large way, to preserving the grand old buildings of bygone days. Much of old Jakarta has changed little in appearance since the founding years. One of my favourite places is Sunda Kelapa, the old port, where these days you can still see the Phinisi schooners unloading their goods from distant islands in the archipelago. But it’s not only the old port that will hold your fascination. There are 57 museums in the Greater Jakarta area and each one well worth visiting even if only to admire the grandeur Dutch architecture.
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One of the great attractions about Jakarta is the numerous festivals held there. Of course the most famous being the Jazz Festival and recently the Rock Parade. But the administration of Jakarta also caters for the children and the bigger kids in us. In Indonesia it will soon be the school holidays for thousands of kids and what a time they will have at the yearly Jakarta Fair. Okay, us big kids too!. Besides the usual entertainment like bazaars, food and rides, there will also be a lot of companies promoting their goods to the consumers. The event will be held at the huge Jakarta Fairground in Kemayoran which is located in Central Jakarta.
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The Java Jazz Festival has gained its foothold as the biggest musical event in the capital. Now rockers will get the chance to “regain” their glory with the Jakarta Rock Parade, a three-day rock festival that will gather rock stars from different generations. The festival, which, like the Java Jazz, will involve multiple stages, will be held on July 11-13 at the Senayan Tennis Indoor stadium.
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In Bandung, West Java, Dewi Sartika is better known as a jumbled road of traffic jams, sidewalk vendors and shopping centers. At a point halfway down the road to the south of the town square lies the squalid public minivan terminal of Kebon Kalapa, with its dirty puddles and bad odor on rainy days. Kautaman Istri, a girls’ school set up by Dewi Sartika during the Dutch colonial era, is now the name of a small street near the terminal. Both names are also used for several alleyways that meander around the school, which still stands strong today.
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I can still recall the very first time I visited Semarang, the northern coastal in Central Java. It was in the middle of the hot season, the winds blew even hotter and the dust was annoying to the eyes. But, I loved it. It was refreshing to visit and experience a city of such historical importance and culture. Semarang is a divided city – the cooler new part of the city called Bukit Sari where most of the flash hotels and residences are located, and, the old part of the city known as Kota Lama. It is here in the old part of the city that I would recommend anybody to stay when they are visiting the city and much more interesting and fascinating to explore. Kota Lama has a lot of old Dutch colonial buildings and you can still see the old building remains of what was once a walled city. Staying anywhere in the old city will give you the opportunity to be near just about everything you could want to see and that includes the maze of markets and side streets where very turn of a corner is a pleasant surprise. Try the losmens and budget hotels nearer to Pasar Johar. I would suggest getting around by foot to see most of the historical places, but if you are not into wearing your feet to the bone, then there are plenty of becaks or taxis available.
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Across the archipelago of Indonesia wedding rituals vary from island to island and dependant on the religion of the future wedded couple. In western society, man meets woman, they go out and do the usual (work it out for yourself!), become engaged and finally marry. In the case of my wife and I tying the knot it was rather frustrating from a westerners point of view. Take into consideration that this was during the period of the Soeharto regime when Bhuddism was not a recognised religion in Indonesia. Yes, you guessed it, my wife was a Bhuddist and, to complicate things even further, she was Indonesian born of Chinese descent. Not only that, my wife was from a very old Chinese lineage and therefore strict adherence to marital rituals had to be observed. As a westerner and a fairly laid-back guy, I respected this ‘process’. For our first year of courting we were chaperoned and I can still recall quite clearly sitting I the parlor at my wife’s parents place and having to have a member of the family present.
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The warrior Bima circles his enemy. With a resounding bang of the gamelan, the fighter of ancient Javanese folklore spreads his arms and deals a final blow, vanquishing his opponent to death. On the spread of white cloth, the shadow of only one figure remains. The intensity of this shadow puppet, or wayang, scene being played out seems at first to be at odds with the atmosphere of the room it is being rehearsed in. Some 18 gamelan instruments crowd the practice space, as do the musicians playing them, the singers, dozens of wayang puppets heaped in two piles at the front of the room, and the man responsible for the entire ensemble — Ki Purbo Asmoro.
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Batik is a popular decorated textile but for Javanese, it means much more — it embodies a philosophy that holds importance from the cradle to the grave. It is still a common practice to wrap newborns in batik cloth, and a piece of batik selendang (scarf) is regularly used to carry the baby around. When someone dies, batik will cover the body of the deceased and seven pieces of batik are usually used to cushion the corpse. At this time, batik with a parang rusak pattern or a bird design are not supposed to be used. The values represented in Indonesian batik are considered significant enough by advocates to push the government to nominate it for the United Nations Educational, Scientific and Cultural Organization (UNESCO)’s list of intangible cultural heritage, which will be first inscripted in September 2009.
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People usually look down on buskers or roadside performers, assuming they are too lazy to work and are content earning a few pennies on the street. But not Didik Nini Thowok, who believes busking can actually serve as a way to preserve cultural traditions and even attract tourists. Born in Temanggung, Central Java, the 54-year-old man said a group of traditional artists had recently been given a space to busk in the city center, on Jl. Malioboro. “Busking can become one of the ways to develop Yogyakarta as a culture-based tourist city,” said Didik. “But this activity has to be supported by all parties, since most groups of traditional artists are not financially secure,” he said. Didik said he believed that regular shows by traditional art groups would help both the artists and local cultures survive. He added busking by artistic groups could also become a powerful attraction for tourists, especially foreign visitors.
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