Indonesia Indonesians in Focus

Indonesians in Focus: Ki Purbo Asmoro

The warrior Bima circles his enemy. With a resounding bang of the gamelan, the fighter of ancient Javanese folklore spreads his arms and deals a final blow, vanquishing his opponent to death. On the spread of white cloth, the shadow of only one figure remains. The intensity of this shadow puppet, or wayang, scene being played out seems at first to be at odds with the atmosphere of the room it is being rehearsed in. Some 18 gamelan instruments crowd the practice space, as do the musicians playing them, the singers, dozens of wayang puppets heaped in two piles at the front of the room, and the man responsible for the entire ensemble — Ki Purbo Asmoro.

Date: June 11th, 2008 | No Comments

Dina Oktaviani: The Lost Biography

City lights picked me up/and we tried to forget all the things/that had shredded the solitude back in that room//we may never understand/why old calendars/could change history/as easily and quickly as a highway rush

How do you feel after reading the lines above? How would you feel if you were told that the verse, an excerpt from a poem titled Silent Calendars, was written by a 15 year old? Dina Oktaviani composed it in February 2001. She had never before submitted her work to a national publication, but a year after Silent Calendars was written, Media Indonesia decided to print it in its Sunday edition, along with her other poems.

Date: May 30th, 2008 | No Comments

Indonesians in Focus: Didik Nini Thowok

People usually look down on buskers or roadside performers, assuming they are too lazy to work and are content earning a few pennies on the street. But not Didik Nini Thowok, who believes busking can actually serve as a way to preserve cultural traditions and even attract tourists. Born in Temanggung, Central Java, the 54-year-old man said a group of traditional artists had recently been given a space to busk in the city center, on Jl. Malioboro. “Busking can become one of the ways to develop Yogyakarta as a culture-based tourist city,” said Didik. “But this activity has to be supported by all parties, since most groups of traditional artists are not financially secure,” he said. Didik said he believed that regular shows by traditional art groups would help both the artists and local cultures survive. He added busking by artistic groups could also become a powerful attraction for tourists, especially foreign visitors.

Date: May 23rd, 2008 | No Comments

Indonesians in Focus: Indo Deleng

A self-confident young woman strolls along in Lengkasa village deep in the forest in Tojo Una-Una regency, Central Sulawesi. Her age is 24. She voluntarily runs a traditional community school. The Lipu village school was set up by local people and the Red and White Palu Foundation to serve the children of the isolated Tau Taa Wana Bulang community, which follows traditional customs. The teacher is called Indo Deleng, after the name of her eldest child. Or she can use her mother’s name. But never her own.

Date: May 13th, 2008 | No Comments

Indonesians in Focus: Tam Chen Siong

Tam Chen Siong, 36, an Indonesian of Chinese descent who is also known as Kanjeng Raden Tumenggung Hartonodiningrat, has enjoyed success in his efforts to preserve one of the country’s most treasured forms of cultural art. Tam’s father, Tam Hwa Seng, a businessman from Surabaya, and mother Phun Djoei Hing, hoped their second child would carry on the family freight business. If that ambition could not be achieved, they hoped he would at least follow in the footsteps of his grandfather; an architect who was involved in a number of projects in Surabaya. Tam, who earned a technical engineering degree from Petra Christian University in Surabaya in 1992, however, chose to become a master craftsman of kris (a wavy-bladed Javanese dagger).

Date: May 2nd, 2008 | No Comments